“The Zeppo”

This is one of my favorite episodes of the series.  It might even be my favorite episode of season 3.  Why?  Well, for starters it is Xander-centric, but it also turns the regular Buffy formula on its head by telling a B-story as the A-story and relegating the A-story to the B-story for the week.  It’s just a fun episode!

There are so many little things from this episode that I could talk about, like that fact that all television pastry boxes are pink for some reason.  Or the fact that I appreciate Willow’s marshmallow joke when the other characters don’t seem to.  Not to mention, who names their knife, “Katie”?  Who names a knife, period? And – wait, Sunnydale has gangs? And while I could go on to talk about these insignificant things a little longer – this episode has so much meat to it.  It’s different than “Helpless,” which was certainly a meaty episode, as well.  This one is so much lighter, despite the episode featuring yet another apocalypse.

Xander is threatened by “Katie”

Okay, I honestly don’t know where to start with this episode, so I guess I’ll throw a dart and land at… Xander and Cordelia.  Surprisingly, Cordelia is still talking to Xander, even after the whole cheating thing (although, Oz and Xander seem to be friends again and Oz forgave Willow and got back together with her, so this isn’t so far-fetched) – of course she’s mostly just taunting him which is classic Cordelia. However, her teasing strikes a particular chord in this episode.  She compares him to Jimmy Olsen, which is down on Xander’s level, he even made a joke about the same subject with Giles, who just didn’t get it (oh, if only Oz had been there).  When Cordelia says it though, it is suddenly an insult. She also says, “Can you say “expendable”?” – which I find particularly funny since she ended up being in a movie called The Expendables.  This all leads to Xander obsessing over being cool.  Here’s the thing though, although Cordy was being mean, when compared with Jack O’Toole’s threats moments earlier, one can see that at least Cordelia still cares.  Her taunting comes from a place of wanting to hurt Xander for what he did to her, sure, but re-watching this makes me certain that these two can be friends again (and they will be before she moves on to L.A. and the spin-off series).

It’s also fun to compare this scene at the beginning of the episode, with the scene at the end when Xander does find his cool.  He leaves Cordelia hanging, as he walks away with a big smile on his face.  What a great ending!  Xander really grows during this episode and it shows.

Okay, we have to talk about one more thing having to do with these two former love birds, and I know I’ve mentioned it before.  Xander loses his virginity in this episode, which I think is proof that Cordelia is a virgin.  I know, this shouldn’t matter, but it does because of certain events in Angel’s first season.  Xander may have been Cordelia’s first love.  She is never shown, before or after Xander, having another committed relationship on the series.  The one possible exception to this is Darryl, who we find out about in “Some Assembly Required.” She loved him, he treated her badly, then he died.  And then he became Frankenstein’s monster and tried to make her his bride.  He died while Cordelia was a high school freshman, when she was maybe 15 years old.  Now it’s completely possible that she lost her virginity to him, but if she did, it stands to reason that she would have had sex with Xander, too.  Likewise, if she had had sex with any of the other random guys she dated in season 1, there’s almost no good reason for her not to have also had sex with Xander.  Since they didn’t have sex, Cordelia must have lost her virginity to that guy on Angel who impregnated her with a demon baby.  Which again, means that Cordelia’s first time having sex got her pregnant!  Can you imagine – that must have been so traumatizing.  Yet, Angel, being a more grown-up show and making Cordelia seem more like a twenty-something than a 19-year-old (if not 18-year-old) glosses over her loss of virginity, which is a really big deal.  I understand that there wasn’t really room in that episode for this discussion, but at the same time – can you imagine?

Alright, I’m done, so back to the Xander portion of this conversation.  Yep, Xander manages to help Faith out of a jam, she has some energy she needs to get out and they have sex.  It’s actually kind of funny how one second, they’re shown in post-coital bliss with the cuddling and the next minute she’s kicking him out of her motel room without any emotion.  I wonder if Cordelia ever found out about this and what her reaction was.  We see Willow’s reaction in a couple of episodes, but never Cordelia’s.

So, jumping all over the place, I want to go back to talking about Xander’s search for how to be cool.  It reminds me of this episode of Beverly Hills 90201 when Valerie was going to be written up in some magazine for being cool and she kept asking about it (and therefore, being uncool).  Xander’s obsession with it is very similar.  The more you think about being cool and ask questions about how to be cool, the less cool you are apparently.  I mean, take Oz.  He has hardly anything to say on the matter and doesn’t even know that he is cool when Xander asks him about it.  And so Xander, in his quest to be cool, ends up looking for a thing – which ends up being a car (and some penis jokes).  And that car is what ends up getting him in trouble and eventually leads him to finding his cool – without the aid of a “thing.” But the car isn’t what makes him cool at all.

The other thing that leads Xander towards his strange night is the abandonment of his friends.  I mean, I get it, they want to keep him safe, but why now?  I mean it’s great that Faith is in the mix and working well with Buffy, but that doesn’t mean that Xander can’t be useful (in a non-snack capacity way). What his friends do to him in this episode is actually kind of mean. Also, Xander is actually pretty good at staying cool and collected in the face of danger. He doesn’t buckle under pressure. Sure, over the years he has his moments and sometimes runs away screaming (only in “Go Fish” though) or gets pummeled, but overall, he keeps his cool when it really counts. Sure, by not running away he is a liability as much as he is an asset, but what does Willow contribute?  Can’t she do her spells from a safer room/distance?  Xander could at least work to protect her during these tense moments. And honestly, his cool head in these matters is what allows him to save Faith.  He sees that she is in trouble and maneuvers the car just so, without missing a beat, to hit one of the demons and allow Faith a quick get-a-way.  Clearly, he is being underestimated in this episode by those who know him best. And, after this episode, without his friends ever finding out about his own adventures, he’s back in the mix without a question.  Weird, no?

After all is said and done, this episode is a zombie episode. I am not a zombie fan, but here they are used for comedy and are completely different from the zombies seen in “Dead Man’s Party” – thank goodness!  One of them is even played by Michael Cudlitz – one of those actors that you’ve definitely seen in at least one other thing between the 90s and now. The majority of the Xander-centric episode is played for laughs.  Sometimes it is in the physical humor (see Xander accidentally decapitate a zombie with a mailbox), and sometimes it is through the typical Xander method of talking.  For example, “Two guys wrasslin, but not in a gay way “– oh Xander.  I don’t think this would fly anymore, but it is amusing to hear Xander try to be cool and then have to backtrack and say too much.

This is juxtaposed with the overly dramatic apocalypse scenes sprinkled throughout the episode. The most obvious example of this is, of course, the Buffy-Angel scene.  It seems pretty typical, but then once Xander interrupts we see how the over-dramatic can be played for laughs.  Especially since, as soon as Xander leaves, the romantic music swells up once again – right where it left off.

Imagine this with dramatic music swelling

Music actually plays a really important part in this episode.  As soon as Xander’s scenes get serious, there is no music.  The apocalypse battle has music and is very loud, but Xander’s scenes are quiet. This signals a change, both in tone and in Xander. The lack of music shows Xander’s inner-calm (or, cool, if you will) – the music stops, the rest is silence. It is in these moments that we see just how much Xander is worth.  After all, unbeknownst to his friends, he is the one saving those who save the world. If not for Xander (with an assist from werewolf Oz that he doesn’t know about), anyone in the high school would have been killed in an explosion.  Xander stops a bomb from going off and rescues his friends – and the world. No wonder he’s my favorite guy on this show!

I do wonder though why Jack isn’t a better fighter.  I mean, you’re telling me that he can’t take Xander? Or maybe, against regular threats, Xander can hold his own? Last season Xander almost got pummeled by Larry, but maybe he would have been okay without Buffy’s interference.  Or maybe he’s learned some fighting over the past 2 years. Or maybe Jack’s not as tough as he seems.

It doesn’t matter. What does matter is that Xander is cool and he gains some much-needed confidence through his own hero’s journey in this episode.  Also, Oz is strangely full the next day. 

“Gingerbread”

I always enjoy watching shows take on fairytales and giving them a modern-day twist.  Charmed did it on more than one occasion, and while I can’t think of any non-Charmed examples at the moment, I know there are some.

This episode is also the first one in which it is clear that Willow has moved on from computer geek to witch.  She’s obviously been doing spells since Ms. Calendar died, but now we see that she is part of a witch community (I hesitate to say coven, as I don’t believe that Willow is actually in a “coven”) – something she tries to find again in college.  And, since this episode centers around witches, Amy’s back!  One episode in season 1, one episode in season 2, one episode in season 3.  I’m sensing a pattern, which gets broken after this.  We also meet a new witch – a male witch.  Some don’t like the word “warlock” even though that is the word typically assigned to a male witch, so I won’t use it.  If Harry Potter isn’t a warlock neither is new character Michael, played by Blake Soper from Boy Meets World and Salute Your Shorts.  These three witches are working together to perform a protection spell for Buffy’s birthday, but it all goes horribly awry when the latest demon comes to town.

But this episode is about more than witches and demons.  It’s about how communities deal with tragedy, and more importantly, about mothers and daughters.  Joyce is heavily featured in this episode.  She tries so hard to be a good mother, but just doesn’t get it.  She’s clueless, despite knowing Buffy’s secret.  I mean, she wants to watch Buffy work (a.k.a. slay).  Doesn’t she get that it’s dangerous?  Juxtapose that with Willow’s mom, who we finally meet, who doesn’t even pay attention to her daughter.  She doesn’t realize that Willow changed her hair months ago and refers to Willow’s best friend as “Bunny.” She seems to care, but only when Willow is doing something wrong.  Because Willow has been so perfect all these years, her mom has ceased to pay her any attention and thinks her new interest in witchcraft is a phase that can be related to a paper she just published.  This all definitely paints Joyce in a better light, despite her well-meaning cluelessness.  On the subject of Joyce, I have to mention how adorably awkward she and Giles are together.

Joyce ends up spearheading the MOO (Mothers Opposed the Occult) movement in the wake of the death of two young children.  The community rallies around this tragedy, trying to cause good, but inadvertently prevents Buffy from doing her job.  This whole storyline actually reminds me of the witch finder general, who I was unfamiliar with when first viewing this episode. In the wake of Malleus Maleficarum and James VI and I writings on witchcraft, a man named Matthew Hopkins took it upon himself to track down witches and bring them to justice.  His methods were sketchy at best and he became rich by exploiting superstitious, 17th century, English folk.  He was eventually found out and things did not end well for him, but there is a sort of pop-culture mythos that has built around the idea of the witch finder general in the same way that one thinks of Van Helsing.  So having an episode dedicated to a witch hunt certainly reminds me of that now.

It is worth noting that, according to BtVS, the type of demon responsible for the chaos in Sunnydale is probably the same type of demon that started the Salem Witch Trials.  Growing up in Massachusetts and loving all things witches you know I know my Salem Witch Trial history, so I appreciated this reference.  I also appreciated that Buffy didn’t say any more than just that.  Cuz that would have ruined it.  BTW – totally in Salem as I’m writing this blog, but that’s just a coincidence – I promise.

Since I’ve mentioned Salem, I should make sure that you all know that no witches were burned at the stake in America – not in Salem, Connecticut (where there was an outbreak around the same time), or anywhere else.  Why mention this fact?  Well, a lot of people think that witches in Salem were burned at the stake and I find that super annoying, but more importantly, because in Sunnydale, the plan is to burn the witches at the stake.  Why would they do this in Sunnydale in 1999 though?  Isn’t there a more modern, and more efficient way of killing witches?  It seems a little odd to me.  Also, who would burn anyone at the stake indoors?  That’s just unsafe – I’m sorry, but it is.

Now, any true witch would find a way to escape this predicament, and Amy, having been at the witch thing for a lot longer than Willow, does just that.  She turns herself into a rat and escapes.  Don’t worry – she becomes Willow’s pet, because Willow can’t figure out how to change her back… so yeah, Amy the rat is here folks!  And as such, technically, Amy will be appearing in more than one episode per season now.

Amy the rat

A more troubling feature of this episode, you know, other than the witch hunt itself, and burning teenagers at the stake, is how the parents of these witches are reacting.  These are your children people! How are you less concerned about them than about the murdered children?  And that’s how you know that the town is once again under a spell.  I mean, Joyce, who knows exactly what’s going on thinks that Buffy’s the problem?!  That’s insane!  And, as Buffy points out, no one even knows who these children are.  They appear out of nowhere, dead, and the entire community goes bonkers.  Parents are choosing children that don’t exist over their own children!  This episode is extremely disturbing for this reason, and this reason alone.

Not disturbing? Cordelia and Giles forced to work together.  These two are hilarious.  I mean, can we get more of this please? (I know we won’t, but a girl can still dream, right?)  Also, toad stool.  It’s the little things that make me laugh.

“Amends”

Ah, the Buffy Christmas episode… while the show does reference the holiday in the future this is the one and only Buffy Christmas.  As such, it’s not bad, and many even things it’s great.  I don’t know… it’s okay.

buffy christmas

There is a lot to unpack though.  First of all, I completely forgot that there were flashbacks in this episode, but that’s pretty much the point of the episode.  It’s a whole, let’s-remind-Angel-how-awful-he-used-to-be episode.  He’s basically being haunted.  And this is important as it allows Angel to a) be accepted back into the group again and b) to introduce us to The First.  The first what you ask?  The First Evil who comes complete with his (or her) very own henchmen – the Bringers.  The bringers of what?  I don’t know – evil tidings?

bringer
One of the Bringers

The First will obviously become super important in season 7, but for now, the idea of the First Evil starts and ends with this episode.  The First has a plan for Angel and suggests that there is a bigger plan for him.  What is this plan?  It’s unclear, but if you end up watching his spinoff, called Angel, you can certainly see by the end of that series that The First was right about him being important.

The First is using Angel’s memories against him and that brings me to a very important question: How does Angel/Angelus have a mustache in these flashbacks?  I mean, can vampires grow hair?  I feel like the answer is no, but then again, despite not having the breath available to give Buffy CPR, Angel is able to smoke (Spike, too), so who knows what the vampire rules are?  I personally think this was a mistake of someone behind the scenes.  Clearly this is the most important question that this episode poses. Forget all about the whole, will Angel be evil again thing… so not important when considering his throwback Thursday ‘stache.

angels-hairy-misfortune

Another important question: is giving Angel nightmares and watching him wake up from them just an excuse to see David Boreanaz shirtless?  I mean, these are the questions that I think we all need answered, am I right?

In all seriousness though, one great outcome of Angel’s past coming back to haunt him is the return of Robia LaMorte as Jenny Calendar.  Or, actually, as The First wearing a Jenny Calendar suit.  Boy, do I miss her.  Watching her taunt Angel in front of Giles who can’t see her is great.  It’s also great to remind us all that Giles is no longer an Angel fan.  He knows that Angel is good again, but he makes it clear that he’ll never trust him the way he used to.  Long gone are the season 1 days when Angel delivering the Codex will bring him a Watcher friend.

janny amends

Of course, the Angel story isn’t the only thing going on in this episode.  The Scoobies are still dealing with the fallout from Willow and Xander’s messing around.  Cordelia is pretty mean to Xander and reveals a deep, painful secret to his friends.  This is mean, and she does break a confidence, but are you really telling me that Willow (if not Buffy) doesn’t know that every Christmas, Xander has to sleep outside in order to avoid his drunk father?  That seems like a best friend secret.  I mean, I guess if you’re in love with someone you might reveal this secret for the first time, but Willow’s known him so long… also, poor Xander.  Every time we get information about his parents it makes me feel so bad for him.

During this conversation, people are discussing what they are going to do for Christmas.  My girl, and fellow Jew, Willow Rosenberg, takes offense at this question – as any good Jew whose friends know she is Jewish should.  Look, I get it – Christmas is a day off from school, but no one asks, “What are your plans for Boxing Day?”  Buffy and Xander know that she is Jewish.  If they don’t think to ask about Hanukkah, they could at least ask her about winter break, or vacation rather than using the word “Christmas.”  I’m not declaring war on the holiday – I just don’t understand why a Jew’s closest friends have to ask about Christmas.  That would be like a Jew asking a friend, “What are you doing for Yom Kippur?” when the school gives that day off.  Non-Jews usually don’t even know why they have that day off, or at least, what the holiday is called.  “We would say, what are you doing on your day off?”  Why can’t we get the same respect?

And soap box gone.

Willow does have a much more important storyline in this episode – she and Oz get back together!  Yay.  She offers to have sex with him (aka – lose her virginity), and Oz, being the smart and wonderful gentleman that he is, declines for all the right reasons.  But they do make out a lot.  Yay.  I love Oz.  I’m so glad that he’s able to forgive her.

willow and oz amends
Willow romances Oz – yay!

Speaking of people getting it on… Joyce and Giles are awkwardly avoiding each other after the whole “Band Candy” thing.  Joyce is actually pretty hilarious in how much she is trying to avoid him.  If only Buffy knew…

Okay, back to our main storyline.  I have another question: Why does Buffy have to dig her way to the Bringers? I mean, there are a kajillion tunnels in Sunnydale and none of them are anywhere near where these guys have made their home?  I don’t know…

We also have to talk about snow.  Snow is a very important plot device at the end of this episode.  The snow prevents the sun from coming up and destroying Angel (who was basically getting ready to commit suicide by sun), cause, you know, snow and sun never go hand in hand…  It’s a beautiful moment, but as a Massachusetts girl I am so sick of tv shows making snow seem miraculous.  Why is it a cleanser for characters?  Snow is such a nuisance in real life!  Yes, I get it, Sunnydale probably only gets a coating of snow once every one-hundred years, but still… and BtVS is not the only tv show guilty of this.  Roswell did it too, although in that case the aliens caused the snow.

So, since this snow is miraculous, and keeps Angel alive so that he can continue to be a force for good (and it stops the First Evil’s plans), who caused the snow?  Was it a fluke or was it a higher power?  Joss Whedon made sure to never bring religion and God into the show, even when talking about Heaven and Hell, but this sure does seem like a godly miracle.  So, did God save Angel?  That is my final question, but I think it’s the most important.  Even more important than the mustache one.

snow in sunnydale.jpg
Look, it’s snowing! I guess that means Angel will be okay now and The First has been defeated (…for now)